in, when a name is laid to rest: archives of future, present, past, naqvi presents primarily new works exploring the notion of belonging, urging the question: “what becomes of tired bodies in a constant state of flux in voluntary and involuntary refuge?” the visual narratives inform themselves from the reference point of a trans marginal identity, tied to the sociopolitics of modern-day india, where the intersections of belonging are blurry and undefined.

the exhibition refers to recent events and the history of communal violence in modern-day india. naqvi, while having a personal connection to these histories, also believes it is important to archive and document this history for they are forgotten and erased under fascist regimes.

the artist extends their gratitude to srishti roshan, ali monis Naqvi, amir malake baroud, nene monè, and all the contributors of the resting songs archive, without whom this show would not be impossible.

image © peter tijhuis